Passion, creativity and excellence

3is

LEGAL NOTICES

INTRODUCTION

Faced with the development of new communication tools, it is necessary to pay particular attention to the protection of privacy. That is why we are committed to respecting the confidentiality of the personal information we collect.

WHO WE ARE

3IS DEVELOPPEMENT
Private higher education institution
SAS with capital of 500,000€ SIRET 345 052 229 00035 – Code APE 8559B

HEADQUARTERS:
3IS DEVELOPPEMENT
4, rue Blaise Pascal 78990 Élancourt
Tel. +33 1 61 37 34 94
Fax. +33 1 30 50 43 63

Contact

Our website address is: https://www.3is-international.com/

USE OF PERSONAL DATA COLLECTED

If you upload images to the website, you should avoid uploading images with embedded location data (EXIF GPS) included. Visitors can download and extract any location data from images on the website.

CONTACT FORMS

We collect the following information:

  • Gender / Sex
  • Name
  • Surname
  • Address
  • Postale code
  • Email address
  • Telephone / fax number
  • Education / Training

The personal information we collect is collected through forms and through the interactivity established between you and our website. We keep this information for one year for customer service purposes. Your information will not be used for commercial purposes. We also use, as indicated in the next section, cookies and / or logs to collect information about you.

Your personal information is collected through forms, namely:

  • Application form
  • Registration form for open days
  • Brochure download form
  • Callback form
  • Contact form
  • Competitive examination
 
 

We use the information thus collected for the following purposes:

  • Contact
  • Statistics
  • Informations
  • Prospecting
 
 

Your information is also collected through the interactivity that may be established between you and our website, as follows:

  • Statistics
  • Contact
  • Prospecting
 
 

We use the information thus collected for the following purposes:

  • Correspondence
  • Registration

COOKIES

We collect certain information by means of log files and cookies. This mainly concerns the following information:

  • IP adress
  • Operating system
  • Pages visited and requests
  • Time and day of connection

The use of such files allows us:

  • Improved service and personalized welcome
  • Statistics

If you leave a comment on our site, you will be offered to save your name, email address and website in cookies. This is only for your convenience so that you do not have to enter this information if you post another comment later. These cookies expire after one year.

If you have an account and you log into this site, a temporary cookie will be created to determine whether your browser accepts cookies. It does not contain any personal data and will be deleted automatically when you close your browser.

When you log in, we will set up a number of cookies to save your login information and screen preferences. The lifespan of a login cookie is two days, that of a screen option cookie is one year. If you check “Remember me”, your connection cookie will be kept for two weeks. If you log out of your account, the login cookie will be deleted.

By modifying or publishing an article, an additional cookie will be saved in your browser. This cookie does not include any personal data. It simply indicates the ID of the item you just edited. It expires after a day.

The use of cookies is very frequent on the Internet. However, you have the option of objecting to their use at any time by configuring the preferences of the computer browser so as to no longer accept cookies.

For Mozilla Firefox:

  1. Choose the “Tool” menu then “Options”
  2. Click on the “privacy” icon
  3. Locate the “cookie” menu and select the options that suit you
 
 

For Microsoft Internet Explorer:

  1. Choose the “Tools” menu then “Internet Options”
  2. Click on the “privacy” icon
  3. Select the desired level using the cursor.
 
 

For Opéra 6.0 and others:

  1. Choose the “File” menu then “Preferences”
  2. Private life
 
 

However, if you decline the use or disable cookies, you may no longer be able to access certain parts of the Site or use some of the Services.

COMMENTS

When you leave a comment on our website, the data entered in the comment form, as well as your IP address and the user agent of your browser are collected to help us detect unwanted comments.

An anonymized channel created from your email address (also known as a hash) can be sent to the Gravatar service to check if you are using it. The Gravatar service confidentiality clauses are available here: https://automattic.com/privacy/. After validation of your comment, your profile picture will be publicly visible next to your comment.

MEDIAS

Articles on this site may include embedded content (eg videos, images, articles, etc.). Content embedded from other sites behaves the same as if the visitor were using that other site.

These websites could collect data about you, use cookies, embed third-party tracking tools, track your interactions with these embedded content if you have a connected account on their website.

AUDIENCE STATISTICS AND MEASURES

Articles on this site may include embedded content (eg videos, images, articles, etc.). Content embedded from other sites behaves the same as if the visitor were using that other site.

These websites could collect data about you, use cookies, embed third-party tracking tools, track your interactions with these embedded content if you have a connected account on their website.

USE AND TRANSMISSION OF YOUR PERSONAL DATA

Articles on this site may include embedded content (eg videos, images, articles, etc.). Content embedded from other sites behaves the same as if the visitor were using that other site.

These websites could collect data about you, use cookies, embed third-party tracking tools, track your interactions with these embedded content if you have a connected account on their website.

DURATION OF STORAGE OF YOUR DATA

Articles on this site may include embedded content (eg videos, images, articles, etc.). Content embedded from other sites behaves the same as if the visitor were using that other site.

These websites could collect data about you, use cookies, embed third-party tracking tools, track your interactions with these embedded content if you have a connected account on their website.

THE RIGHTS YOU HAVE OVER YOUR DATA

If you have an account or if you have left comments on the site, you can request to receive a file containing all the personal data that we hold about you, including those that you have provided to us. You can also request the deletion of personal data concerning you. This does not take into account data stored for administrative, legal or security reasons.

TRANSMISSION OF YOUR PERSONAL DATA

Visitor comments can be verified using an automated spam detection service.

CONTACT INFORMATIONS

Due to the nominative nature of an e-mail address, and the private and confidential nature of the mail, you have the right to access, modify, rectify and delete data concerning you (article 34 of the law “Informatique et Libertés” n ° 78-17 of January 6, 1978).

You can exercise this right by sending an email to the webmaster (webmaster [at] 3is.fr) or by post:

3iS DEVELOPPEMENT
4, rue Blaise Pascal
78990 Élancourt

HOW WE PROTECT YOUR DATA

The personal information we collect is kept in a secure environment. People working for us are required to respect the confidentiality of your information.

To ensure the security of your personal information, we use the following measures:

  • Protocole SSL (Secure Sockets Layer)
  • Access management – authorized person
  • Access management – data subject
  • Computer backup
  • Digital certificate development
  • Login / Password
  • Firewalls
 

We are committed to maintaining a high degree of confidentiality by integrating the latest technological innovations to ensure the confidentiality of your transactions. However, since no mechanism offers maximum security, there is always some risk involved when using the Internet to transmit personal information.

sound operator

CHIEF SOUND OPERATOR

The assistant producer is the producer’s most important colleague. He or she is responsible for all aspects of planning the film shoot or audio-visual program and ensures that all stages of the project run smoothly. During the preparation phase, the production assistant analyzes the production project or script, writes the technical data sheets and draws up a work plan for the shoot in collaboration with the production manager. During filming, the assistant producer adjusts the work plan, organizes the direction, writes the call sheet and organizes and supervises the recruitment of extras where necessary.

DIRECTOR OF PHOTOGRAPHY

The director of photography is responsible for the lighting and photography in filmmaking. They contribute to shaping the esthetic aspects of a film and the image rendition, showcasing the topic and actors to best effect. They design the visuals based on the script and in discussion with the director. During shooting, their work focuses on lighting the shots to be filmed. At the end of shooting, the director of photography oversees color correction and may be involved in the finishing process.

BOOM OPERATOR

Production sound mixer’s assistant and is in charge of the microphone placement.

SOUND DIRECTOR

The sound director installs, regulates and maintains sound equipment for live use. He or she manages a team of technicians who help install and make changes to the set. As team leader, the sound director writes a technical file (technical data sheet, planning and budget) and is responsible for mixing in real time.

SOUND MIXER

The Sound Mixer is responsible for recording all sound recording on set during the filmmaking or television production using professional audio equipment.

MASTER CONTROL OPERATOR

Master control or playout is the department responsible for broadcasting programs on one or more television channels. Its mission is to ensure program continuity and quality while adhering to the planned schedules.

PHOTOJOURNALIST

A photojournalist is a reporter who specializes in news photography and filming. They are skilled in gathering, assessing and using audiovisual footage. They need the technical ability to take pictures, along with the initiative and judgment of a journalist. They work in the field solo or with a crew.

EDITOR

In the post-production phase, editing consists in making artistic choices in compiling, selecting and assembling the frames and sounds to make sequences, then synchronizing the image sequences with the soundtrack.

ASSISTANT DIRECTOR

The assistant director is the director’s closest collaborator, responsible for planning film or TV program shoots and ensuring they run smoothly at every stage. During the preparation phase, the assistant director breaks down the production plan or script, writing the technical sheets and drawing up a shooting schedule alongside the production manager. During shooting, they adjust scheduling, organize the staging, draw up the call sheet, and oversee the hiring of extras where necessary.

SOUND EDITOR

The Sound Editor selects and assembles sound recordings in preparation for the final sound mixing or mastering of a television program, motion picture, video game, or any production involving recorded or synthetic sound).

CAMERA OPERATOR

The camera operator is responsible for framing the shots and coordinating the camera’s movements, taking instruction from the director on the artistic side and from the director of photography on the technical side. They ensure that images are sharp, well composed and stable. There are also various camera operator roles in the production of one-off TV broadcasts, which are not covered here

HEAD CAMERA OPERATOR

Works solo or with a crew, and/or under a director’s leadership to ensure perfect framing and image quality, and to capture and record sequences of images on video or other digital media.
script supervisor

SCRIPT SUPERVISOR

Working alongside the director, the script supervisor oversees the continuity of the motion picture during all stages of filming and production. They seek to maintain coherence between the scenes and ensure that what’s being filmed matches the written script. They are also responsible for keeping track of the film production unit’s daily progress.

MOVIE/TV/VIDEO/CORPORATE
FILM DIRECTOR

The director gives a film or audiovisual program its shape. They are involved in setting up the project, direct the filming, and steer editing and mixing choices in post-production.

SCRIPTWRITER

Cinema, series, clip or advertisement, the scriptwriter creates stories to arouse viewers’ curiosity. Whether creating or adapting a story, the scriptwriter is a fully-fledged author who draws on multiple references, either literary or from everyday life. Working alone or as part of a team, the scriptwriter starts by drafting a synopsis (summary of the story) which develops into an increasingly detailed plot. The dialog continuity is therefore a very precise document indicating the plans for a scene, their duration, the positioning of the camera, and so on. In order to set the pace, the scriptwriter cuts the narrative into sequences that often correspond to a change of scenery, time or action. The scriptwriter may also write the dialogs for a film and is sometimes its director.

Assistant-director

ASSISTANT DIRECTOR

The first assistant director (AD) is the director’s right hand. They handle the logistics of running the set during production and are the liaison between the director and the rest of the crew. They create and manage the shooting schedule and shot lists, coordinating with all department heads.

POST-PRODUCTION TECHNICIAN

The post-production technician coordinates and liaises between the production team, the director and the technical team responsible for post-production. They plan and monitor the various stages of post-production. On completion, they draw up the accounts, invoicing the client and paying personnel. Depending on how the company is organized, the post-production manager may be responsible for drawing up estimates. They may also perform catalog management tasks for rights holders who have entrusted this to a third-party company. They may work on movies, standalone or serial TV dramas, documentaries, and even throwaway programs such as magazine shows and news reports.
sound operator

SOUND OPERATOR

The Sound operator assembles, operates and maintains the technical equipment used to record, amplify, enhance, mix or reproduce sound. Identify the sound requirements for a given task or situation and perform the appropriate actions to produce this sound.

CHIEF SOUND ENGINEER

The Chief Sound Engineer assembles, operates and maintains the technical equipment used to record, amplify, enhance, mix or reproduce sound).
assistant producer

ASSISTANT PRODUCER

The assistant producer is the producer’s most important colleague. He or she is responsible for all aspects of planning the film shoot or audio-visual program and ensures that all stages of the project run smoothly. During the preparation phase, the production assistant analyzes the production project or script, writes the technical data sheets and draws up a work plan for the shoot in collaboration with the production manager. During filming, the assistant producer adjusts the work plan, organizes the direction, writes the call sheet and organizes and supervises the recruitment of extras where necessary.
Gaffer

GAFFER

boomer

BOOMER

The boomer is also known as the sound assistant and works with the chief sound operator during filming. He or she is responsible for placing the main microphone and works in all types of structure: studios, auditoriums, mobile units, sound trucks, film sets, concert halls, radio, television, etc.

Production assistant

PRODUCTION ASSISTANT

There are a wide variety of sections of the entertainment industry that a Production Assistant may decide to work in. Film Production Assistants may serve on the set of a motion picture, running errands for Directors and Producers and informing Actors and Crew Members of their call times. They are integral to a shoot whether it’s for a film, TV show, music video, or commercial.

special-effect-supervisor

SPECIAL EFFECTS SUPERVISOR

EDITOR

The editor plays a vital role in creating a documentary, a work of cinematic fiction or a report, guaranteeing the narrative coherence of the film while respecting its production style. The editor’s aim is to hold the spectator’s attention by selecting the best images from the film rushes. He or she organizes the elements, both images and sounds, which will create meaning and provides them with a dramatic narrative and construction. The editor works closely with the producer after filming. Editors increasingly use virtual audio-visual editing software such as AVID Media Composer and Premiere Pro.

sound recordist

SOUND RECORDIST

Grip

GRIP

camera operator

CAMERA OPERATOR

The camera operator plays a vital role in cinema direction and is responsible for shot composition and camera movement. Also referred to as the cameraman or camerawoman, this image professional must have a rigorous sense of composition, attention to detail (actor movement, depth of field, lighting, etc.) as well as a thorough knowledge of the equipment and the ability to work with the stagehand. The camera operator is supported by assistants who prepare the camera and accessories required for filming the shots in addition to focusing the image.

CHIEF EDITOR

The chief editor directs the post-production team (assistant, editor, calibrator). They guarantee the film’s narrative consistency and ensures its style and final pace, in close collaboration with the director. The editor selects the best images from the shooting rushes in order to keep spectators in suspense. They organize the elements that give the film its meaning: images and sounds, by ensuring drama in the writing and structure.

CHIEF CAMERA OPERATOR

The chief camera operator is the director’s second-in-command and is responsible for the artistic quality of the image (framing, lighting). From the start of preparations for the film, they check the consistency of the director’s wishes with the audio-visual means available. During filming, the chief camera operator directs the image team (assistant operator, camera operator) in collaboration with the chief stage-hand for lighting, framing and image composition.

PRODUCTION DIRECTOR

The production director organizes and monitors the project, from preparation to delivery. They recruit a team, negotiate with each member and set up contracts. The production director collaborates directly with the executive producer and is assisted in this by the general studio manager, the production administrator and the first assistant director.

DIRECTOR

The director is often the originator of a film project and orchestrates its shooting and creation. They cast an artistic eye over it at all stages, providing direction for the actors, the chief camera operator and the chief sound operator, and coordinating their work with the help of one or more assistants. In auteur cinema, the director generally writes the screenplay and is sometimes involved in production. On a television set, they manage a technical team and decide on the positioning of cameras filming simultaneously. In the control room, the director sets the pace and selects the images to be used (live or recorded).

SCREENWRITER

Cinema, series, clip or advertisement, the scriptwriter creates stories to arouse viewers’ curiosity. Whether creating or adapting a story, the scriptwriter is a fully-fledged author who draws on multiple references, either literary or from everyday life. Working alone or as part of a team, the scriptwriter starts by drafting a synopsis (summary of the story) which develops into an increasingly detailed plot. The dialog continuity is therefore a very precise document indicating the plans for a scene, their duration, the positioning of the camera, and so on. In order to set the pace, the scriptwriter cuts the narrative into sequences that often correspond to a change of scenery, time or action. The scriptwriter may also write the dialogs for a film and is sometimes its director.

SOUND DESIGNER

The sound designer is a combination of composer, acoustician and sound engineer and produces background noise, sound effects and music on demand according to precise specifications.

VIDEO OPERATIONS TECHNICIAN

The video operations technician may work in a variety of environments: on set, in a natural outdoor setting, or in a television studio control room. The video operations technician installs the shooting equipment, adjusts the projectors and spotlights, and ensures that a live TV program is appearing on screen. They also videorecord sequences, manage equipment maintenance and take part in technical installation and investment projects.

STUDIO TECHNICIAN

In the studio, the sound technician is the engineer’s assistant. Their role involves preparing for the session: setting up instruments, greeting the artistes, installing the microphone kit, cabling and testing. In the booth, they configure the console and recording software.